I am a dedicated Gaffer bringing technical expertise and creative problem-solving to every project. My commitment to precision and efficiency ensures seamless execution and high-quality production.
Proficient in handling complex lighting setups, ensuring smooth workflows and optimal visual impact.
A smart worker with a positive attitude, always finding innovative ways to enhance the cinematic experience.
Strong industry experience in electrical work, lights, and camera operations, ensuring efficiency and accuracy on set.
Proficient in handling complex lighting setups, ensuring smooth workflows and optimal visual impact.
A smart worker with a positive attitude, always finding innovative ways to enhance the cinematic experience.
Strong industry experience in electrical work, lights, and camera operations, ensuring efficiency and accuracy on set.
FILMS | YEAR | COUNTRY | D.O.P | PRODUCTION HOUSE | WORKED AS |
|---|---|---|---|---|---|
2024 | Freedom at Midnight (WS) | India | Malay Parkash | Emmay Entertainment | Gaffer |
2024 | Vedaa | India | Malay Parkash | Emmay Entertainment | Gaffer |
2022 | Mumbai Diaries 2 (Ongoing Project) | India | Malay Parkash | Emmay Entertainment | Gaffer |
2022 | Delhi Crime Session-2 (Ongoing Project) | India | Devid Bolen | Yamini Picture Pvt Ltd | Gaffer |
2022 | The Fame Game | India | Manoj Kumar Khatoi | Dharmatic Entertainment | Gaffer |
2021 | Ajeeb Daastaans | India | Siddharth Vasani | Dharmatic Entertainment | Gaffer |
2019 | Khadak | India | Rafey Mehmood | Mithya Talkies | Gaffer |
2019 | Kalank | India | Binod Pradhan | Dharma Productions | Gaffer |
2018 | Bhavesh Joshi Superhero | India | Siddharth Diwan | Phantom Films | Best Boy |
2018 | The Ashram | India | Nikos Andritsakis | Sikhya Entertainment | Best Boy |
2007 | Honeymoon Travels | India | Deepti Gupta | Pvt. Ltd. Excel Entertainment | Gaffer |
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Cinematographer
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