I am a dedicated Gaffer with a keen eye for detail and a strong technical foundation, ensuring flawless execution in every project. My problem-solving skills and creative approach enhance visual storytelling with precision.
Ensuring smooth workflow, efficiency, and high-quality results in every production.
Committed to delivering excellence through skill, dedication, and industry expertise.
Focused on accuracy and innovation, crafting impactful lighting setups for compelling visuals.
Ensuring smooth workflow, efficiency, and high-quality results in every production.
Committed to delivering excellence through skill, dedication, and industry expertise.
Focused on accuracy and innovation, crafting impactful lighting setups for compelling visuals.
FILMS | YEAR | COUNTRY | D.O.P | PRODUCTION HOUSE | WORKED AS |
|---|---|---|---|---|---|
TBA | Delhi Crime (Season 3) | India | Johan Heurlin Aidt | Yamini Production | Gaffer |
2024 | Vettaiyan | India | S. R. Kathir | Lyca Productions | Gaffer |
2023 | Citadel: Honey Bunny | India | Johan Heurlin Aidt | D2R Films | Gaffer |
2022 | Afwaah | India | Mauricio Vidal | Benaras Media Works | Gaffer |
2022 | Yaar Dost (Ongoing Project) | India | Mahendra Shetty | Maddock Films | Gaffer |
2022 | Dasvi | India | Kabir Tejpal | Maddock Films | Gaffer |
2021 | Antim: The Final Truth | India | Karan B. Rawat | Salman Khan Films | Gaffer |
2019 | Ranjish Hi Sahi (web series) | India | Sumit Samaddar | Vishesh Films | Gaffer |
2019 | Girlfriend Chor (web series) | India | Archana Ghangrekar | Dice Media | Gaffer |
2019 | The Baby (web series) | India | Manish Usapkar | Cape of Good Films | Gaffer |
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